“What Did You Fall In Love With?”

Every once in a while, I nourish my Self by taking what  Julia Cameron calls “Art Dates” in her book, The Artist’s Way.  Typically, these are special dates with one’s self to seek inspiration and nurture the artist within.

I explored this in my post Art Date with Myself.  Funny, I broke the rules in that post, too!

I take plenty of Art Dates by myself but this time, I chose to spend it with my boyfriend.  It was a lovely February day so we decided to explore the newly renovated National Gallery of Art East Wing  in Washington DC.

At the end of our artsy adventure, he asks me a provocative question that I love for its directness and the ease with which I can answer it.  “What did you fall in love with today?”  While I deeply adore viewing all of the pieces in general, there are three works that I am, indeed, in love with.

Henri Matisse – Decorative Composition with Masks (1953)

Large Decorative Cutout with Masks

Henri Matisse, Large Composition with Masks (1953)

I’ve been in love with this piece for decades and every time I see it, these feelings grow stronger.  Every single time without exception, my heart swells and tears fill my eyes the moment I come around the corner and view this enormous cutout in all its colorful, simplistic glory.  It is, by far, my favorite work of all time.  Those of you who have fallen in love with art know what I mean and how impossible it is to explain why a piece captures your heart, soul, and imagination.

Pierre Bonnard – Nude in an Interior (1935)

pierrebonnardnudeinaninterior

I’m also in love with Pierre Bonnard’s Nude in an Interior (1935).  His use of bold blocks of color and pattern, patches of sunlight, his color palette, and contrast of the straight lines of the interior against the feminine curves of the nude captivate me.

Lately, my color palette has been rather dark and often subdued.  The joyful, sunny colors of this painting inspire me to play with similar colors.

Francesca Woodman – Caryatid, New York (1980)

francescawoodman-caryatid-new-york

Francesca Woodman – Caryatid, New York (1980)

This mysterious, otherworldly image by Francesca Woodman captivates me and leaves me with many unanswered questions.  Who is this?  Where is she?  What is she thinking?  The tragic and divinely talented Woodhouse died at age 22, leaving behind a great many self-portraits and other beautiful and unsettling images.  I love how this piques my curiousity.  I want to know more about her art and the creative yet tortured woman who created it.

What art are you in love with?

Please share.

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We The People- Part 1

 

We The People- Part 1:  mixed media on 18 x 24 paper.

We The People- Part 1: mixed media on 18 x 24 paper.

WE THE PEOPLE

“We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.”

The Preamble to the US Constitution

StarFlight

I’m exploring the integration of my visual art and original poetry.

StarFlight- acrylic on canvas

StarFlight- acrylic on canvas

Wings that carried me far and wide

Return me to the cosmic center of Self.

Greatest journey over shortest distance.

Inward.

Susan Korsnick 2016

 

Enso Inspires Art

Inspiration comes from unexpected places when I am open to it.

 When I first saw an Enso, a circular image that holds special significance for Zen Buddhists, it resonated deeply with my soul.  I found that, among other things, it “represents the moment when the mind is free to let the body create”.  The traditional Enso is an open circle created with one or two brushstrokes –receptivity and potentiality, the infinite void where experiences and energy are free to flow in and out.  Space.  Not the space one associates with nothingness but the sacred space where all is possible.  Perfect symbol for me as I navigate the waters of a dynamic, change-filled year!

Enso IV

Enso IV: SOLD

Blue Enso

Blue Enso: SOLD

Enso II

Enso I: SOLD

Enso III

Enso II: SOLD

Enso I

Enso III: SOLD

Enso in Pink and Gray

Enso in Pink and Gray

Change- The Painting

Last summer, I had a reading from a very gifted Tarot reader named Marcy at the Omega Institute in Rhinebeck, NY.  She explained that if one wants positive change in one’s life, one must break the old patterns and do something new.  Anything new.  To paraphrase– If you always eat a ham sandwich for lunch, eat something different.  It doesn’t matter if it’s tuna fish or pastrami on rye.  Just try something different.

I’ve used the analogy before of sledding down a snow-covered mountain.  We are so used to doing things one way, seeing the world one way, and responding in one way.  Like a sled going down the same well-worn path, we go down the same path with friends, co-workers, & our significant others.  Even though this path no longer suits us, it’s hard to break free.  But consider this, by lifting the sled out of the rut, even slightly, a new path will automatically be taken.  All it takes is a slight adjustment.

Change: a mixed media piece on canvas.

I’m making a real effort to do that in all aspects of my life, including my art.  Change, a mixed media piece on canvas, exemplifies that for me.  My previous work is known for bold blocks of color or pattern and solid outlines, usually black. With Change, I’m loosening up and allowing greater energy and movement in the piece.  Who knows, this energy and movement could translate into something wonderful in my life.  It’s worth a try!

Winged Spirit- Soar to New Heights

Winged Spirit emerged from the canvas to remind us that we should release our burdens and soar to new heights.

Winged Spirit emerged from the canvas to remind us that we should release our burdens and soar to new heights.

Winged Spirit speaks to me, gently saying “Release what no longer serves so you can soar to new heights.”  Her wings are strong yet nurturing. “Fear not,” she continues, “when you have the courage to take a leap, Spirit will carry you safely on the wind. You will not fall.”  What wonderful advice as we head into 2015, a new year & an opportunity for a new beginning!

By letting go of my preconceived idea of what this canvas could be, Winged Spirit continued to reveal herself.

By letting go of my preconceived idea of what this canvas could be, Winged Spirit continued to reveal herself.

Winged Spirit emerged from layers of acrylic paint playfully applied with a variety of tools- brushes, a spray bottle, sponges, a fork, stencils, stamps, and my fingertips.  I was able to connect with this piece far more deeply than I had with some of my earlier work because I allowed myself to enjoy the process and let whatever was going to happen happen.  Surrender… a new concept for me.

After freely applying several layers of paint without any thought to the outcome, I saw Winged Spirit peeking through the drips, splashes, and strokes.

After freely applying several layers of paint without any thought to the outcome, I saw Winged Spirit peeking through the drips, splashes, and strokes.

 

Early in the fall, I strolled into my local fabric store and happened upon a display of art-related books.  As soon as I read the title “Brave Intuitive Painting”, I knew I had to have Flora Bowley’s book for that’s exactly what I would love to call my painting process.  But I can’t.  Not yet.  I stayed up late into the night soaking up her advice, techniques, and colorful examples, enthusiastically telling my boyfriend, “If I could write a book, this is exactly what I’d want to say!!”  She encourages artists to release preconceived ideas of a finished product and immerse ourselves in the process of discovery… and self-discovery.  The book led me to her website which led me to her e-course called Bloom True.  I highly recommend it for anyone to wants to break free of expectations and allowing the experience of creating art to be a more intuitive process.

The point of taking Flora Bowley’s workshop is not to copy her style.  Rather, the point is to honor the authentic creator in my Self, silence the critical mind for a while, and just BE.

Visit my shop on Etsy to view the art I currently have for sale.  www.etsy.com/shop/PureSusan

Bridges and Boundaries

Transformation is only possible when we choose to build bridges instead of roadblocks.

Transformation is only possible when we choose to build bridges instead of roadblocks.

I thought I fully embraced transformation–eagerly desiring positive change and building bridges to what I envision as the next phase of my life.  But something has been getting in my way.  Me.  I’m building my own roadblocks as fast as I’m building bridges.

This is a common pattern for me and many others.  We get close to fulfilling a dream and then pull away out of fear, whether it be deepening a new relationship, deciding to move, or changing careers.

I’m grateful for finally recognizing this for it means I am in a position to break the cycle of self-defeating behavior.

What do I mean by “bridges”?  

Bridges are any action or decision you make in alignment with your soul’s wish.  When I decided to leave Virginia, I focused on finishing my masters’ degree, got certified in other states, sent out resumes, made phone calls, and traveled hundreds of miles for interviews.

As I got closer to my goal, I let fear overpower me and I started building roadblocks instead.

What do I mean by “roadblocks”?

Roadblocks are the barriers to success and the awakening of our authentic Selves.  They are any action or behavior that gets in the way of reaching your goal or fulfilling your dream.  When I accepted a position and prepared to move, I began to sabotage myself in three significant ways.  FIrst, I claimed to be “too busy” to follow up with realtors who were trying to sell my house & help me find a new one.  Second, I let perfectionism paralyze me, making the excuse that everything had to be perfectly in place before I’d move forward.  And lastly, I shut down.  I was so scared about the scale of this life change that I couldn’t make any decision regarding the move for a few days.

There are already plenty of roadblocks between us and the fulfillment of our dreams.  Do we honestly need to sabotage our Selves, denying our right to happiness and an authentic life?  Naguib Mahfouz wrote, Fear does not prevent death, it prevents LIFE.”

So what am I doing differently?

Anything.  Everything.  It only takes one itty bitty baby step to break that negative thought pattern.  I am acknowledging my fear and taking the next step anyway.  I am choosing to listen to my intuition more than my inner critic.

To learn more about my painting called Transformation (seen above) or to view my other work,

visit me at www.etsy.com/shop/PureSusan .

The Twins- A Collage on Canvas

Now that the parents expecting their second set of twins have been given my collage, aptly titled The Twins, I can finally share the images of the piece that I was commissioned to create to honor the babies they’ll soon be having.  I’m very happy with the way the piece turned out, especially the expression’s on the giraffes’ faces.  Here’s the finished piece and a few photos of my process.  Peaking out between layers of paint are some of the words to a blessing I wrote for the babies as well as words such as “Joy, Peace, Love, Serenity, Safety, and Laughter.”  All the things one would wish for little ones just entering the world.

Twins Final

The Twins- my collage on canvas. The finished piece has fabric to highlight the grass and add interest to the spots on the baby giraffes.

Twins 1

I lightly sketch the giraffes with acrylic paint on the canvas to make sure I have the scale right.

 

 

Stencils, stamps, and a turquoise outline add interest.

Stencils, stamps, and a turquoise outline add interest.  This is the layer where I get to play freely and see what wants to happen.

 

Twins 3

I make more deliberate decisions about details such as the grass and leaves on the branches.